Wales Bonner Autumn Winter 2026: Morning Raga
- Vingt Sept

- 15 hours ago
- 2 min read


Wales Bonner’s Autumn-Winter 2026 collection, Morning Raga, unfolds as a meditation rather than a moment. Conceived not as a spectacle but as a considered body of work, the collection reflects an ongoing exploration of harmony, rhythm, and cultural dialogue. It's an offering that is quietly expansive, rooted in modernist ideals while remaining deeply human.
Drawing from the elemental simplicity of modernist architecture, the collection takes cues from early design philosophies centred on purity and balance. The influence of Indian architect Balkrishna Doshi is particularly resonant, not in form alone but in spirit. His belief in spaces that foster calm, exchange, and vitality informs a wardrobe that sits between the practical and the sensual, structure softened by feeling.

Uniform silhouettes provide a foundation. Familiar archetypes are romanticised through contrast and materiality. Heritage polo shirts are reimagined with ceremonial satin sashes, lending symbolic weight to everyday forms. Silk shirting appears in blocks of ivory and Atlantic blue, colours evoke clarity and openness while maintaining an intimacy of touch.
Geometric abstraction runs through the collection with restraint. A minimalist grid pattern appears on a structured topcoat and chore jacket, woven from Italian wool and finished with leather detailing. These pieces balance precision with tactility, offering a collection that feels architectural yet lived in. In the womenswear offering, this dialogue continues. A studded top and skirt set introduces controlled expression, while a signature wrap tuxedo with a sculptural hemline and satin lapel brings softness to formal structure.

Cultural exchange remains central. Jazz operates as both reference and rhythm, particularly through its intersections with Indian tradition. A seasonal interpretation of Madras check introduces boldness, while Bengal stripe shirting is subverted through crinkled cotton, disrupting expectation without excess. These gestures feel embedded rather than applied, part of a wider conversation that has long defined the Wales Bonner language.
Detail becomes a site of intimacy. Architectural brooches carved from Panga Panga wood and set with semi-precious stones punctuate the collection with intention. Crafted in Botswana by Beullah Serema and Peter Mabeo, they serve as quiet symbols of collaboration, material knowledge, and shared authorship.

Ease and comfort are integral. Tonal cotton and merino knitwear, developed in collaboration with heritage English makers John Smedley, introduces softness and familiarity. An indigo linen tuxedo by Savile Row tailors Anderson and Sheppard lightens the formal wardrobe, offering ceremony without weight or rigidity.
Morning Raga is not about singular modernism, but plural modernities. It celebrates imaginative optimism rendered uniquely across cultures, geographies, and histories. Like the musical form it references, the collection builds gently, ascending with intention and clarity.







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