Photographer Jacquetta Movement Director Lee Jay Hoy Stylist Lauren Amie HMUA Louise Lerego Photography Assistant Mari Russell Athletes Taeja & Olivia at Forte Sport Talent

Photography & Fashion Natalia Samoilova Model Viktoria at NAGORNY Model Management

The Birmingham-born actor is entering a remarkable chapter of her career. While audiences around the world know her as Baela Targaryen in HBO's House of the Dragon, she is simultaneously returning to where her love of performance first began, starring as Eurydice in Hadestown. For Antonia, it feels less like a new beginning and more like a homecoming.

By the time I speak with Remmie Milner, I'm running on four hours of sleep. It's the reality of juggling clients across multiple time zones, and as I apologise for my slightly sleep-deprived state, she laughs and immediately relates. As the mother of a toddler and another child on the way, early mornings and interrupted sleep have become part of her own routine. It's a small moment, but one that quietly sets the tone for the conversation that follows.

Photographer Dimitri Pollalis Grooming Pooja Sethiya Fashion Tabitha Sanchez Model Sam Morgan Producer Aasim Khan Model wears Dolce & Gabbana (resort look) and he's wearing Allen Edmonds shoes

For years, sustainable fashion has suffered from a huge image problem. The issue? We were asked to choose between style and sustainability, aesthetics and ethics, desirability and responsibility. The result was a marketplace filled with worthy products that rarely reflected how we actually wanted to look. Or the guilt of a high street number in our holiday carry-ons. Of course, there have been notable exceptions in the fashion sphere. Christopher Raeburn has helped pion

There are few moments in the British social calendar that capture the optimism of summer quite like Wimbledon. Alongside Royal Ascot, Henley Royal Regatta and the endless procession of garden parties that define the season, The Championships represent something uniquely British: tradition that never feels outdated. Yet while Wimbledon has long set the standard on court, its retail offering has often sat firmly in the realm of memorabilia rather than fashion.

Photographer & AD Moïse Mbarga-Abega Stylist Isabella Gao Grooming by Giovanni Iovine represented by The Green Apple Italia Models Nicholas Deman & Alvaro Silveria Sanchez at I Love Models MGMT Producer Vittorio Vanzulli

Photographer Matthew Monfredi Fashion Sian O'Donnell Hair & Makeup by Alexis Day Model Meg Wolton at Crystal Models

Becka in The Testaments, the expansion of Margaret Atwood’s dystopian universe, Mattea Conforti steps into a role defined by emotional complexity, restraint and quiet resilience.

Photographer David Titlow Fashion Direction Lily Lam Grooming Annelie Bystrom Fashion Assistant Sanchita Belambe Models Moses and Elmo at Named Models Retoucher Frisian Special Thanks to Abi Lipson and Philipp Raheem

Creative Director & Producer Liko Sukhoy Director of Photography Pravo Goputra Art Director Mughnisa Ayu Assistant Art Directors: Edward Daniel, Sultan Bil Qisthi, Hanna Chairani Art Handler Baba Sophiih Fashion Vita Khairunisa Beauty Adelia Candra Pramono Model Brayen at 3mm Models wearing ISSHU & DIBBA

Photographer Eric Hason Creative Direction & Fashion Apollo Bual MUA ShanJu Wu Hair by Kayra Theodore Production & Styling Team Mia Rose Adao & Ryan Esterás Escobar Model Xiao Fang Jiang at Crawford New York

Fashion The Street Style Looks We Editor-Approve Fashion Week is often defined by what unfolds on the runway, but the pavements outside the shows tell an equally compelling story. Between venues, cafés, and hurried taxi stops, editors, stylists, models, and guests transform the streets into a living mood board—an unfiltered display of personal style that feels far more spontaneous than the carefully orchestrated collections inside. This season, we decided to focus our efforts

CD, Photography & Film Geoffrey Poussin Lighting Assistance Pierre Bellot Alfiniti Stylist Sielle El Krete Hair by Camille Senelier MUA Flavie Delobbel Digital Retoucher Elena Bondarenko Model Barbara Varvara at Mademoiselle Agency wearing Katoushti

Fashion Paul Smith’s Foundation, The British Council and Projekt have announced Creative DNA x Studio Smithfield , a new peer-to-peer exchange programme bringing together fashion designers from the UK and Sub-Saharan Africa. Rooted in collaboration rather than hierarchy, the initiative is designed to foster long-term creative and professional relationships through shared learning, cultural exchange and sustained industry access. The programme will see six designers: Solome As

Fashion The Hôtel Colbert de Torcy in Paris felt like stepping into a private residence rather than a fashion presentation. Michael Rider’s first full menswear collection for CELINE arrived with a quiet authority, framing the house’s classic codes through the lens of the present. The 1640 mansion, with its high ceilings, carved wood, and muted grandeur, became an extension of the collection itself: intimate, considered, and precise. It was a space that allowed the clothes to

Fashion Willy Chavarria’s ETERNO arrived as a fully realised world, a cinematic exploration of style, emotion, and connection. Guests entered a streetscape of New York City, scented by Byredo, where models moved among projections and installations titled 'The Avenue of Truth'. Conversations, laughter, and even intimate moments on screen unfolded alongside the clothes, placing human connection at the centre of the collection. Here, fashion was not performance, but a reflect

Fashion Wales Bonner’s Autumn-Winter 2026 collection, Morning Raga , unfolds as a meditation rather than a moment. Conceived not as a spectacle but as a considered body of work, the collection reflects an ongoing exploration of harmony, rhythm, and cultural dialogue. It's an offering that is quietly expansive, rooted in modernist ideals while remaining deeply human. Drawing from the elemental simplicity of modernist architecture, the collection takes cues from early design ph

Fashion There was no sense of arrival at the AMIRI Autumn–Winter 2026 show. No dramatic threshold, no overt performance. Instead, guests seemed to enter a home. A lived-in one. The kind of space where music lingers in the walls and style is absorbed rather than announced. Furniture felt careworn, objects chosen rather than styled, the atmosphere closer to a Laurel Canyon den than a conventional runway set. AMIRI didn’t stage a fantasy; it opened a door. This was the heart of